Ennio Morricone
Composer
Ennio Morricone scored 82 rated films; 13 were hits (80/100 or higher), a .159 batting average.
- Batting average
- .159
- Hits
- 13 of 82 feature films rated 80/100 or higher
- Percentile
- top 27% of 306 composers, confidence-adjusted (how it works)
- Career
- 1961–2016
Films, rated out of 100
- Correspondence (2016) — 43/100
- The Hateful Eight (2015) — 75/100
- Come What May (2015) — 56/100
- The Best Offer (2013) — 68/100
- Baaria (2009) — 64/100
- The Unknown Woman (2006) — 68/100
- Black Angel (2002) — 52/100
- Mission to Mars (2000) — 49/100
- Vatel (2000) — 53/100
- Malena (2000) — 67/100
- The Legend of 1900 (1998) — 72/100
- The Phantom of the Opera (1998) — 27/100
- Lolita (1997) — 65/100
- U Turn (1997) — 62/100
- The Stendhal Syndrome (1996) — 57/100
- Joseph (1995) — 80/100 · TV film, not counted
- The Star Maker (1995) — 73/100
- Disclosure (1994) — 61/100
- Wolf (1994) — 62/100
- A Pure Formality (1994) — 77/100
- Abraham (1993) — 72/100 · TV film, not counted
- In the Line of Fire (1993) — 77/100
- City of Joy (1992) — 62/100
- Bugsy (1991) — 72/100
- Tie Me Up! Tie Me Down! (1990) — 66/100
- Hamlet (1990) — 66/100
- Everybody's Fine (1990) — 72/100
- Casualties of War (1989) — 74/100
- Fat Man and Little Boy (1989) — 58/100
- Frantic (1988) — 69/100
- Cinema Paradiso (1988) — 85/100 · hit
- The Untouchables (1987) — 79/100
- Rampage (1987) — 58/100
- The Mission (1986) — 73/100
- Red Sonja (1985) — 43/100
- La Cage aux Folles 3 (1985) — 50/100
- Once Upon a Time in America (1984) — 82/100 · hit
- The Key (1983) — 57/100
- The Thing (1982) — 80/100 · hit
- White Dog (1982) — 78/100
- The Professional (1981) — 73/100
- Bianco, rosso e Verdone (1981) — 74/100
- Bloodline (1979) — 48/100
- Luna (1979) — 58/100
- Days of Heaven (1978) — 87/100 · hit
- Where Are You Going on Holiday? (1978) — 61/100
- Exorcist II: The Heretic (1977) — 35/100
- Orca (1977) — 43/100
- The Cat (1977) — 64/100
- 1900 (1976) — 71/100
- One Way or Another (1976) — 76/100
- The Sunday Woman (1975) — 66/100
- Arabian Nights (1974) — 73/100
- My Name Is Nobody (1973) — 77/100
- Property Is No Longer a Theft (1973) — 72/100
- The Canterbury Tales (1972) — 61/100
- Duck, You Sucker (1971) — 79/100
- The Cat o' Nine Tails (1971) — 69/100
- Four Flies on Grey Velvet (1971) — 66/100
- The Decameron (1971) — 73/100
- The Working Class Goes to Heaven (1971) — 77/100
- A Lizard in a Woman's Skin (1971) — 80/100 · hit
- Two Mules for Sister Sara (1970) — 69/100
- The Bird with the Crystal Plumage (1970) — 77/100
- Investigation of a Citizen Above Suspicion (1970) — 86/100 · hit
- Compañeros (1970) — 69/100
- Once Upon a Time in the West (1968) — 91/100 · hit
- Danger: Diabolik (1968) — 65/100
- Theorem (1968) — 75/100
- The Great Silence (1968) — 86/100 · hit
- The Mercenary (1968) — 74/100
- A Quiet Place in the Country (1968) — 78/100
- The Witches (1967) — 60/100
- The Hellbenders (1967) — 66/100
- The Good, the Bad and the Ugly (1966) — 89/100 · hit
- Navajo Joe (1966) — 50/100
- The Battle of Algiers (1966) — 96/100 · hit
- The Hawks and the Sparrows (1966) — 77/100
- For a Few Dollars More (1965) — 82/100 · hit
- Fists in the Pocket (1965) — 83/100 · hit
- A Fistful of Dollars (1964) — 80/100 · hit
- Before the Revolution (1964) — 79/100
- Crazy Desire (1962) — 67/100
- The Fascist (1961) — 72/100
Films that qualify under the rating methodology, not a complete filmography.
Best and worst
Highest rated
- The Battle of Algiers (1966) — 96/100 · hit
- Once Upon a Time in the West (1968) — 91/100 · hit
- The Good, the Bad and the Ugly (1966) — 89/100 · hit
Lowest rated
- The Phantom of the Opera (1998) — 27/100
- Exorcist II: The Heretic (1977) — 35/100
- Correspondence (2016) — 43/100
How these numbers work: Methodology