Crew
Writers, cinematographers, editors and composers, 1,669 in all. The writers are shown first; the other three roles are a tab away.
Ranked by confidence-adjusted average, so 11 of 14 (.786) ranks above 5 of 6 (.833).
Page 1
- Kōgo Noda — 1.000 (12 of 12)
- Satyajit Ray — 1.000 (11 of 11)
- Yasujirō Ozu — .933 (14 of 15)
- Stanley Kubrick — .889 (8 of 9)
- Andrei Tarkovsky — .889 (8 of 9)
- Hayao Miyazaki — .857 (12 of 14)
- Robert Riskin — .875 (7 of 8)
- Shinobu Hashimoto — .800 (8 of 10)
- Ryuzo Kikushima — .800 (8 of 10)
- Preston Sturges — .778 (7 of 9)
- Robert Bresson — .750 (9 of 12)
- Jean Renoir — .722 (13 of 18)
- Luis Buñuel — .700 (14 of 20)
- Krzysztof Piesiewicz — .750 (6 of 8)
- Hideo Oguni — .692 (9 of 13)
- Andrew Stanton — .700 (7 of 10)
- Krzysztof Kieślowski — .700 (7 of 10)
- Fritz Lang — .667 (8 of 12)
- Christopher Nolan — .667 (8 of 12)
- Jean-Pierre Melville — .667 (8 of 12)
- Charlie Chaplin — .667 (8 of 12)
- Asghar Farhadi — .667 (6 of 9)
- Thea von Harbou — .636 (7 of 11)
- Yoshikata Yoda — .636 (7 of 11)
- Sergio Leone — .625 (5 of 8)
- Carl Theodor Dreyer — .625 (5 of 8)
- Donald Ogden Stewart — .625 (5 of 8)
- Ingmar Bergman — .513 (20 of 39)
- Akira Kurosawa — .517 (15 of 29)
- Agnès Varda — .529 (9 of 17)
- Ennio Flaiano — .538 (7 of 13)
- Abbas Kiarostami — .545 (6 of 11)
- Henri-Georges Clouzot — .556 (5 of 9)
- Charles Brackett — .556 (5 of 9)
- Éric Rohmer — .476 (10 of 21)
- Federico Fellini — .462 (12 of 26)
- Orson Welles — .500 (6 of 12)
- Emeric Pressburger — .500 (6 of 12)
- Ernest Lehman — .500 (5 of 10)
- Paul Thomas Anderson — .500 (5 of 10)
- Michael Powell — .500 (5 of 10)
- Quentin Tarantino — .467 (7 of 15)
- Martin Scorsese — .500 (4 of 8)
- Mario Puzo — .500 (4 of 8)
- Shōhei Imamura — .500 (4 of 8)
- Wes Anderson — .462 (6 of 13)
- Howard Hawks — .423 (11 of 26)
- Billy Wilder — .407 (11 of 27)
- Roberto Rossellini — .455 (5 of 11)
- Louis Malle — .455 (5 of 11)
How these numbers work: Methodology