Charlie Chaplin

Writer

Charlie Chaplin has written 12 rated films; 8 were hits (80/100 or higher), a .667 batting average.

Batting average
.667
Hits
8 of 12 feature films rated 80/100 or higher
Percentile
top 4% of 468 writers, confidence-adjusted (how it works)
Career
1914–1967

Films, rated out of 100

  1. A Countess from Hong Kong (1967) — 54/100
  2. A King in New York (1957) — 73/100
  3. Limelight (1952) — 82/100 · hit
  4. Monsieur Verdoux (1947) — 85/100 · hit
  5. The Great Dictator (1940) — 87/100 · hit
  6. Modern Times (1936) — 89/100 · hit
  7. City Lights (1931) — 99/100 · hit
  8. The Circus (1928) — 85/100 · hit
  9. The Gold Rush (1925) — 95/100 · hit
  10. A Woman of Paris: A Drama of Fate (1923) — 75/100
  11. The Pilgrim (1923) — 71/100
  12. Pay Day (1922) — 72/100 · short, not counted
  13. The Kid (1921) — 89/100 · hit
  14. The Idle Class (1921) — 82/100 · short, not counted
  15. Sunnyside (1919) — 66/100 · short, not counted
  16. A Day's Pleasure (1919) — 65/100 · short, not counted
  17. A Dog's Life (1918) — 75/100 · short, not counted
  18. The Bond (1918) — 53/100 · short, not counted
  19. Shoulder Arms (1918) — 71/100 · short, not counted
  20. The Adventurer (1917) — 71/100 · short, not counted
  21. Easy Street (1917) — 73/100 · short, not counted
  22. The Immigrant (1917) — 74/100 · short, not counted
  23. The Cure (1917) — 70/100 · short, not counted
  24. The Rink (1916) — 68/100 · short, not counted
  25. The Pawnshop (1916) — 69/100 · short, not counted
  26. The Count (1916) — 64/100 · short, not counted
  27. The Vagabond (1916) — 68/100 · short, not counted
  28. Police (1916) — 64/100 · short, not counted
  29. The Floorwalker (1916) — 65/100 · short, not counted
  30. The Fireman (1916) — 64/100 · short, not counted
  31. One A.M. (1916) — 69/100 · short, not counted
  32. Behind the Screen (1916) — 67/100 · short, not counted
  33. The Tramp (1915) — 67/100 · short, not counted
  34. The Champion (1915) — 66/100 · short, not counted
  35. A Jitney Elopement (1915) — 59/100 · short, not counted
  36. His New Job (1915) — 59/100 · short, not counted
  37. A Night Out (1915) — 59/100 · short, not counted
  38. In the Park (1915) — 55/100 · short, not counted
  39. By the Sea (1915) — 56/100 · short, not counted
  40. Work (1915) — 61/100 · short, not counted
  41. A Woman (1915) — 63/100 · short, not counted
  42. The Bank (1915) — 65/100 · short, not counted
  43. Shanghaied (1915) — 61/100 · short, not counted
  44. A Night in the Show (1915) — 63/100 · short, not counted
  45. A Burlesque on Carmen (1915) — 59/100 · short, not counted
  46. Dough and Dynamite (1914) — 60/100 · short, not counted
  47. The Masquerader (1914) — 58/100 · short, not counted
  48. The New Janitor (1914) — 62/100 · short, not counted
  49. The Face on the Barroom Floor (1914) — 53/100 · short, not counted
  50. Recreation (1914) — 51/100 · short, not counted
  51. His New Profession (1914) — 59/100 · short, not counted
  52. The Rounders (1914) — 62/100 · short, not counted
  53. Those Love Pangs (1914) — 55/100 · short, not counted
  54. Gentlemen of Nerve (1914) — 57/100 · short, not counted
  55. His Musical Career (1914) — 60/100 · short, not counted
  56. His Trysting Places (1914) — 62/100 · short, not counted
  57. Getting Acquainted (1914) — 55/100 · short, not counted
  58. His Prehistoric Past (1914) — 55/100 · short, not counted

Films that qualify under the rating methodology, not a complete filmography.

Best and worst

Highest rated

  1. City Lights (1931) — 99/100 · hit
  2. The Gold Rush (1925) — 95/100 · hit
  3. Modern Times (1936) — 89/100 · hit

Lowest rated

  1. Recreation (1914) — 51/100 · short, not counted
  2. The Bond (1918) — 53/100 · short, not counted
  3. The Face on the Barroom Floor (1914) — 53/100 · short, not counted

Also on Movie Moneyball as director, actor, composer. Each page is a separate record.

How these numbers work: Methodology