Oswald Morris

Cinematographer

As cinematographer, Oswald Morris shot 25 rated films; 4 were hits (80/100+), a .160 batting average.

Batting average
.160
Hits
4 of 25 feature films rated 80/100 or higher
Percentile
top 35% of 425 cinematographers, confidence-adjusted (how it works)
Career
1952–1978

Films, rated out of 100

  1. The Wiz (1978) — 54/100
  2. Equus (1977) — 70/100
  3. The Seven-Per-Cent Solution (1976) — 70/100
  4. The Man Who Would Be King (1975) — 84/100 · hit
  5. The Man with the Golden Gun (1974) — 56/100
  6. The MacKintosh Man (1973) — 60/100
  7. Sleuth (1972) — 82/100 · hit
  8. Fiddler on the Roof (1971) — 77/100
  9. Goodbye, Mr. Chips (1969) — 73/100
  10. Oliver! (1968) — 80/100 · hit
  11. Reflections in a Golden Eye (1967) — 64/100
  12. The Taming of the Shrew (1967) — 70/100
  13. The Hill (1965) — 77/100
  14. The Pumpkin Eater (1964) — 69/100
  15. Lolita (1962) — 78/100
  16. The Guns of Navarone (1961) — 77/100
  17. The Entertainer (1960) — 68/100
  18. Our Man in Havana (1960) — 80/100 · hit
  19. Look Back in Anger (1959) — 73/100
  20. Heaven Knows, Mr. Allison (1957) — 76/100
  21. A Farewell to Arms (1957) — 39/100
  22. Moby Dick (1956) — 75/100
  23. Beat the Devil (1953) — 65/100
  24. Indiscretion of an American Wife (1953) — 54/100
  25. Moulin Rouge (1952) — 70/100

Films that qualify under the rating methodology, not a complete filmography.

Best and worst

Highest rated

  1. The Man Who Would Be King (1975) — 84/100 · hit
  2. Sleuth (1972) — 82/100 · hit
  3. Oliver! (1968) — 80/100 · hit

Lowest rated

  1. A Farewell to Arms (1957) — 39/100
  2. Indiscretion of an American Wife (1953) — 54/100
  3. The Wiz (1978) — 54/100

How these numbers work: Methodology